What is the difference between 35mm, 120, 110, and APS film?

They are different formats/sizes. The camera type dictates the film size that is used in the specific camera.• 35mm: Most common. Works in point-and-shoot and SLR cameras.• 120 (Medium Format): Larger negatives = higher image quality. Used in professional cameras.• 110: "Pocket Instamatic" film. No longer manufactured.• APS: (Advanced Photo System; Fuji Nexia) cartridge film with developed negatives returned in the cartridge.

How do I know what kind of film I have?

Check the canister for markings. Still unsure? Bring it in — we’ll help you figure it out.

Will I get digital scans, prints, or both?

It's up to you! Our pricing is structured to make it easy to add a set of prints to your order. There's nothing quite like a print from film, so we always recommend both. We produce just about any size print up to 40x60" in size and on a variety of archival paper and media options.

Will you correct color and exposure? Or do you scan film “as-is”?

We do a general color and density enhancement on all scans to ensure your images look their best.

What is the process and payment method for mailing in film?

Mailing in film is the same as in store film drop off except at check out you select "mail in" instead of "in store". You are then presented a payment page to complete your transaction.

How is developed film shipped back to me and what shipping options are available?

Developed negatives and prints are shipped back via USPS Mail.

Can film be pushed or pulled during development, and for which types?

We do offer push/pull service as on option for B&W and C-41.

Is cross-processing offered for film?

You can request that we process your E-6 film in the C-41 (negative) chemical process, or that your C-41 film be processed in the E-6 (Reversal) chemical process. Please contact us via phone or email to inquire further about our cross process services.

What could cause faint images, poor color or grainy photos on my negatives?

Faint images can be caused by many factors including the camera's metering system being out of calibration, film exceeding the expiration date, film left in a hot car, and improper settings when photographing. Color film usually performs best when shot at half of the suggest ISO/ASA rating. Poor color can be caused by improper film choice (shooting "professional film" which is intended for studio work and made to lessen contrast) when an armature film will add contrast and color definition, old or expired film, and film exposed to excessive heat. Grainy film usually is underexposed by the photographer either by accident, or by a camera needing the exposure meter calibrated. High ISO/ASA film can also give a grainy effect. If hand developing film, excessive agitation during the process will also cause excessive grain.

What causes vertical or horizontal reddish or yellow bands on negatives?

Reddish bands on your images is usually caused by the foam seals on your cameras back door being degraded. Most 35mm cameras come from the 1980s, making them around 45 years old. Foam material used by most manufactures of cameras will turn sticky and fall off of the camera in time, allowing daylight to expose your film when in the camera causing the reddish streaks.

What happens to blank film after processing?

Whether or not to have the film (negatives) returned to you, is an option when placing the order. If the film is blank, you will be notified via email, but negs will only be returned if that option is selected at time of ordering.

What happens if my roll doesn’t turn out or has very few images?

The development/scanning process is identical whether the film has 1 image or 36 images, so the time spent by our lab team is the same. A partial refund is only given if the film is totally blank and the scanning process can be skipped.

Why might pictures on my negatives overlap or be too far apart?

Images too far apart or too close/overlapped are caused by a problem with the cameras advance system. Have your camera checked by a repair technician.

How will my digital scans be delivered?

If you purchase digital scans, they will be uploaded to a personal gallery in your account, where you can download the images or order prints.

Is film development refundable if my roll is blank?

The development/scanning process is identical whether the film has 1 image or 36 images, so the time spent by our lab team is the same. A partial refund is only given if the film is totally blank and the scanning process can be skipped.

Processing film for 79 years.

Film Processing

You could say we're familiar with film processing — it's how The Camera Shop got its start in St. Cloud, MN back in 1947. With over 75 years of experience developing film, we know exactly what it takes to turn your rolls into stunning, high-quality images. We process all major film formats and chemical processes, including 35mm, 120/220 medium format, 110, 126, APS, C-41 color negative, black and white, E-6 slide film, and ECN-2 (Seattle Filmworks). Drop your rolls off in store or mail them in from anywhere in the US or around the world — we welcome film from international customers and ship results back safely. Our experienced lab team personally inspects every image to make sure your scans and prints come out looking their best.

Order Film Processing Here

We use a trusted, traditional developing process before scanning, digitizing or printing your images. With our film processing services, each and every negative is analyzed to optimize exposure, contrast and color. Our experienced production team personally inspects every image for quality so your digital files and prints from film will last a lifetime and beyond. In fact, our archival quality papers will last at least 80 years without fading or discoloration when properly displayed or stored.

Film roll being loaded into a professional film processor at The Camera Shop in St. Cloud, MN

Your roll is carefully loaded into our professional film processor by our trained lab team.

Film being developed using professional chemistry at The Camera Shop in St. Cloud, MN

Your film is developed using professional chemistry matched precisely to your film type and process.

Film negatives being scanned and color corrected at The Camera Shop in St. Cloud, MN

Every negative is individually scanned and color corrected by our experienced production team for the best possible result.

Finished film prints produced at The Camera Shop in St. Cloud, MN

Your finished prints are produced on archival-quality paper built to last 80+ years without fading or discoloration.

Identifying Film Sizes & Processes

Not sure what you have? Use this guide to identify your film format and the process used to develop it.

Film Sizes

The size of film refers to the area exposed to light during an exposure.

35mm (135 Format)

The most common and versatile format, offering 24×36mm frames. Works in most point-and-shoot and SLR cameras.

120 / Medium Format

Produces larger negatives (6×4.5cm, 6×6cm, or 6×7cm) for exceptional image detail and quality.

Large Format (Sheet Film)

Uses individual sheets such as 4×5″ or 8×10″ — favored by professional and fine art photographers.

APS Film

Cartridge film that rolls back into its case after development for easy storage and identification.

110 Film

Compact cartridge film popular in pocket cameras during the 1970s–90s.

Film Processes

The process refers to the chemical method used to develop film.

C-41 (Color Negative)

The standard process for color print film — produces negatives ready for scanning and printing.

Black & White

Traditional B&W chemistry producing rich monochrome negatives with classic tonal range.

E-6 (Color Reversal / Slide Film)

Produces positive transparencies with vivid color and fine detail — ideal for projection or scanning.

ECN-2 (Seattle Filmworks)

Used for motion picture film stock with a rem-jet backing layer that requires special handling and chemistry.

CX, C-22, and Kodachrome

Legacy films whose original color chemistry no longer exists — these are developed as B&W film today.

Sizing Guide:

35mm

120/220

126

110

Service Times

Service times do not include time spent in transit.

C-41 Film	1–2 Lab Days
Black & White Film	3–5 Lab Days
E-6 Slide Film	5–7 Lab Days
Specialty Size Films (110, 127)	1–3 Weeks
Specialty Process Films (Seattle Filmworks, Kodachrome, etc.)	2–4 Weeks

Before ordering, please review our Limit of Liability.

Check Pricing Here

Frequently Asked Questions

What is the difference between 35mm, 120, 110, and APS film?

They are different formats/sizes. The camera type dictates the film size that is used in the specific camera.
• 35mm: Most common. Works in point-and-shoot and SLR cameras.
• 120 (Medium Format): Larger negatives = higher image quality. Used in professional cameras.
• 110: "Pocket Instamatic" film. No longer manufactured.
• APS: (Advanced Photo System; Fuji Nexia) cartridge film with developed negatives returned in the cartridge.
How do I know what kind of film I have?

Check the canister for markings. Still unsure? Bring it in — we’ll help you figure it out.
Will I get digital scans, prints, or both?

It's up to you! Our pricing is structured to make it easy to add a set of prints to your order. There's nothing quite like a print from film, so we always recommend both. We produce just about any size print up to 40x60" in size and on a variety of archival paper and media options.
Will you correct color and exposure? Or do you scan film “as-is”?

We do a general color and density enhancement on all scans to ensure your images look their best.
What is the process and payment method for mailing in film?

Mailing in film is the same as in store film drop off except at check out you select "mail in" instead of "in store". You are then presented a payment page to complete your transaction.
How is developed film shipped back to me and what shipping options are available?

Developed negatives and prints are shipped back via USPS Mail.
Can film be pushed or pulled during development, and for which types?

We do offer push/pull service as on option for B&W and C-41.
Is cross-processing offered for film?

You can request that we process your E-6 film in the C-41 (negative) chemical process, or that your C-41 film be processed in the E-6 (Reversal) chemical process. Please contact us via phone or email to inquire further about our cross process services.
What could cause faint images, poor color or grainy photos on my negatives?

Faint images can be caused by many factors including the camera's metering system being out of calibration, film exceeding the expiration date, film left in a hot car, and improper settings when photographing. Color film usually performs best when shot at half of the suggest ISO/ASA rating. Poor color can be caused by improper film choice (shooting "professional film" which is intended for studio work and made to lessen contrast) when an armature film will add contrast and color definition, old or expired film, and film exposed to excessive heat. Grainy film usually is underexposed by the photographer either by accident, or by a camera needing the exposure meter calibrated. High ISO/ASA film can also give a grainy effect. If hand developing film, excessive agitation during the process will also cause excessive grain.
What causes vertical or horizontal reddish or yellow bands on negatives?

Reddish bands on your images is usually caused by the foam seals on your cameras back door being degraded. Most 35mm cameras come from the 1980s, making them around 45 years old. Foam material used by most manufactures of cameras will turn sticky and fall off of the camera in time, allowing daylight to expose your film when in the camera causing the reddish streaks.
What happens to blank film after processing?

Whether or not to have the film (negatives) returned to you, is an option when placing the order. If the film is blank, you will be notified via email, but negs will only be returned if that option is selected at time of ordering.
What happens if my roll doesn’t turn out or has very few images?

The development/scanning process is identical whether the film has 1 image or 36 images, so the time spent by our lab team is the same. A partial refund is only given if the film is totally blank and the scanning process can be skipped.
Why might pictures on my negatives overlap or be too far apart?

Images too far apart or too close/overlapped are caused by a problem with the cameras advance system. Have your camera checked by a repair technician.
How will my digital scans be delivered?

If you purchase digital scans, they will be uploaded to a personal gallery in your account, where you can download the images or order prints.
Is film development refundable if my roll is blank?

The development/scanning process is identical whether the film has 1 image or 36 images, so the time spent by our lab team is the same. A partial refund is only given if the film is totally blank and the scanning process can be skipped.